The a rtist behin d The Chancellor Seg éur on Horseback (pictured below) , Kehinde Wiley, said in an interview that with this work of art he wanted "to tie the urban street and the way its been depicted with elements that are not necessarily coded as masculine." After reading that I thought sure, he's combining two very different things in this painting, but femininity and masculinity aren't the only two things merging here. The other two things are European history and African American history. Every "olden times" European-American painting we see in history textbooks, museums, and documentaries have always been filled with only white people, which is horrifically inaccurate from a historical perspective. Our society praises the great works of European-American history, but turns a complete blind eye to the fact that all of these paintings only show a fraction...